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Exhibition of works by HUANG Bo-Hao

1 Oct. - 19 Nov. 2016

Born in Taipei, HUANG Bo-Hao graduated from National Taiwan University of Arts in 2004 and from Taipei National University of Arts in 2006 with a master’s degree in Fine Arts, now is working on his doctoral program in Tainan National University of Arts.

 

HUANG chooses water ink as creative medium which is a relative rarity as the moment, but he successfully has broken new grounds with this traditional medium. Like an art of time, his painting involves the accumulating layers of brushstrokes and changes in life experience during the creative process. Where time is often depicted in the rhythmic movement of the linear brushwork, is like seeing time and a floating life through a still frame. In his artwork, the linear drawn traces with the conventional applications of brush in Chinese calligraphy, and with the sliding movements of the ink and brush are transformed into visuals. Those visuals enable the viewers to engross in the thickness, length, wetness, shades, aped, movements and turnings, upward strokes and pauses of the carefully constructed powerful lines that demonstrate profundity of culture and spirit of brush and paint itself.

整體觀之,黃柏皓在身心協同的作用中以充滿反思厚度的作品來提問且遭遇藝術史議題,或者說他的創作在這些重大議題的縫隙中逡巡,並在作品的實踐過程裡破除許多已被定型的刻板認識,試著進一步從中尋找可能。

陳寬育

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黃柏皓(b.1981),畢業於國立臺北藝術大學美術創作研究所,現就讀於國立臺南藝術大學藝術創作理論研究所博士班,舉辦過多次個展,並參與重要聯展於澳洲白兔美術館、韓國首爾大學美術館及北京中央美術學院...等,2012年獲文化部補助前往法國巴黎西帖國際藝術村駐村。系列作品不但獲得多項重要獎項,更廣為私人及國內外美術館收藏。

黃柏皓作品主要藉由筆墨書寫的方式記錄生命最自然的狀態,經由書法筆鋒的提、按、頓、挫所繪製線性痕跡,在筆墨不停堆積所呈現的厚度之下,使觀者得以專注於筆墨自身豐厚的精神深度和文化深度。此次展出作品旨在理性而抽象的西方表現形式中,堆疊東方禪意的哲學思維,極致內斂的簡約風格,跨越時間空間地觸動著觀者的感知。作品將以凝練及極簡的方式表現,把筆觸的堆疊轉化為一種勞動和時間藝術,呼應西方的虛無主義,醒思水墨的純粹性。

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